Friday, January 24, 2025

Watching

WHO FEARS THE DEVIL
aka THE LEGEND OF HILLBILLY JOHN
John Newland
USA, 1972



Watching

THE ENCHANTED
Carter Lloyd
USA, 1984




Playing

The Mothers of Invention
BURNT WEENY SANDWICH

Playing

Frank Zappa*
LUMPY GRAVY

Frank Zappa Conducts the Abnuceals Emuukha Electric Symphony Orchestra and Chorus


OCTAVIO PAZ
“Target Practice”

The tide covers, discovers, recovers, and always walks in the nude.

The tide weaves and unweaves, embraces and separates, is never the same and never another.

The tide, sculptor of forms that last as long as their surge.

The tide breaks rocks, polishes conchs.

The tide always assaults itself.

The tide, surge of syllables of the interminable word, without beginning or end, spoken by the moon.

The tide is angry, and on some nights, beating against the rock coast, it ­announces the end of the world.

The tide, transparency crowned with whitecaps that vanish.

The perpetual tide, the unstable tide, the punctual tide.

The tide and its daggers, its swords, its tattered flags, the conquered, the victorious.

The tide, green spittle.

The tide, sleeping on the chest of the sun, dreaming of the moon.

The tide, blue and black, green and purple, dressed in the sun and undressed in the moon, spark of noon and heaving breath of night.

The tide at night, murmur of bare feet on the sand.

The tide, at dawn, opens the eyelids of the day.

The tide breathes in the deep night and, sleeping, speaks in dreams.

The tide that licks the corpses that the coast throws at it.

The tide rises, races, howls, knocks down the door, breaks the furniture, and then, on the shore, softly weeps.

The tide, madwoman writing indecipherable signs on the rocks, signs of death.

The sand guards the secrets of the tide.

Who is the tide talking to, all night long?

The tide is honest, and eventually returns all of its drowned.

Storms come and go, the tide remains.

The tide, hard-working washerwoman of the filth that people leave on the beach.

The tide does not remember where it came from or where it’s going, lost in its coming and going, between itself, among itself.

There, at the cliffs, the tide closes its fist and threatens the earth and sky.

The tide is immortal, its tomb is a cradle.

The tide, chained to its surge.

The melancholy of the tide under the rain in the vagaries of dawn.

The tide knocks down the trees and swallows the town.

The tide, an oily stain spreading with its millions of dead fish.

The tide, its breasts, its belly, its hips, its thighs, beneath the lips and between the arms of the wind in heat.

The spring of sweet water leaps from the rocks and falls into the bitter tide.

The tide, mother of gods and goddess herself, the long nights weeping on the islands of Ionia, the death of Pan.

The tide contaminated with chemical waste, the tide that poisons the planet.

The tide, the living carpet on which the constellations walk on tiptoes.

The tide, lioness whipped into fury by the hurricane, panther tamed by the moon.

The beggar, the nuisance, the bore: the tide.

Lightning splits the chest of the tide, plunges, disappears, and is reborn, turned into a little foam.

The yellow tide, the hired mourner and her flock of laments, the bilious and her wealth in complaints.

The tide: does it walk asleep or awake?

Whispers, laughter, murmurs: the coming and going of the tide in the coral gardens of the Pacific and the Indian Ocean, in the cove of Unawatuna.

The tide, horizon that drifts off, hypnotist’s mirror that mesmerizes lovers.

The tide with liquid hands opens the deserted lands populated by the gaze of the contemplative.

The tide lifts these words, rocks them for a moment, and then, with a swipe, erases them.


Translated by Eliot Weinberger

Daily Painting

Krsto Hegedušić
WAITING (RAIN) (1963)

What he said.

Thursday, January 23, 2025

Watching

UNDER THE GLACIER
[KRISTNIHALD UNDIR JÖKLI]

Guðný Halldórsdóttir
Iceland, 1989

Reading

Adolfo Bioy Casares and Silvina Ocampo
WHERE THERE'S LOVE, THERE'S HATE

Translated by Jill Levine and Jessica Ernst Powell 

Playing

Wolfgang Amadeus Mozart
ARIAS FOR ALOYSIA WEBER

Cyndia Sieden

Frans Brüggen
Orchestra of the 18th Century


EUGÈNE IONESCO
Rhinoceros

There are more dead people than living, and their numbers are increasing.

The living are getting rarer.



Daily Painting

Philip Guston
GREEN RUG (1979)


Wednesday, January 22, 2025

Watching

HELLBOUND
[지옥]

Season
2
Yeon Sang-ho
Korea, 2024

Playing

Nicola Porpora
OPERA ARIAS

Max Emanuel Cenčić

George Petrou
Armonia Atenea


GUY DAVENPORT

I’ve carved the puppet, and I manipulate the strings, but while it’s on stage the show belongs to the puppet.



Daily Painting

Unknown Dutch Maker
THE YOUNG HUNTRESSES (c. 1690)


Tuesday, January 21, 2025

Watching

HELLBOUND
[지옥]

Season
2
Yeon Sang-ho
Korea, 2024

Holocaust historian here. Let me see if I can help. That wasn't a "weird salute." It was a Hitler salute. Because Elon is a fucking Nazi.

Andy Marlette (2019)

Playing

Arooj Aftab
NIGHT REIGN


ERICH FROMM

Nationalism is our form of incest, is our idolatry, is our insanity. 'Patriotism' is its cult

Just as love for one individual which excludes the love for others is not love, love for one's country which is not part of one's love for humanity is not love but idolatrous worship.



Daily Painting

Saul Leiter
SNOW (1960)


Sunday, January 19, 2025


MARC ELIAS

We are on our own.



Watching

THE OMEN
Richard Donner
USA, 1976

Watching

THE ROOM NEXT DOOR
Pedro Almodóvar
Spain, 2024

Say what you will about AI images - and, yes, I know the reeds and bocals are fucked up - but pictures of that man and his anchor babies playing the bassoon are hilarious.







Playing 

George Frideric Handel
DEIDAMIA, HVW 42 (1741)

Rudolph Palmer

Julianne Baird, Brenda Harris, John Cheek, D'Anna Fortunato, Maire O'Brien, Peter Castaldi

Palmer Singers

Brewer Chamber Orchestra

Daily Painting

Pekka Halonen
PINE FOREST IN WINTER (1913)


Saturday, January 18, 2025

Watching

NANG NAK
Nonzee Nimibutr
Thailand, 1999

Playing

CLUB MOD on allclassical.org

Hosted by Andrea Murray

Watching

FROM THE OLD EARTH
[O'R DDAEAR HEN]

Wil Aaron
Wales, 1981


Reading

Olga Tokarczuk
THE EMPUSIUM - A HEALTH RESORT HORROR STORY


New incel pickup line.






Playing at AllClassical.org (98.9 in PDX)

Giuseppe Verdi
TOSCA

Yannick Nézet-Séguin

Lise Davidsen, Freddie De Tommaso, Quinn Kelsey , Patrick Carfizzi

Performance from November 23, 2024

Playing

Martyn Bennett
GRIT



Daily Painting

Hans Andersen Brendekilde
A WINTER FOREST WITH A WOMAN CARRYING FIREWOOD ON A SNOW COVERED ROAD (ND)

Monte Wolverton