Sunday, March 31, 2024

Currently Watching

NO PRESSURE
[NIC NA SIŁĘ]

Bartosz Prokopowicz
Poland, 2024


Daily Painting

Bartolomé Estebán Murillo
THE CRUCIFIXION (c. 1680)

President Biden:

I have a simple message to all Trans Americans - You're worthy of respect and dignity.

The number one Christian sermon in America this Easter.

Currently Playing

Heiðrik
HEIÐRIK SINGS THE BJÖRK SONGBOOK


SAM HARRIS

George W. Bush says he speaks to god every day, and christians love him for it. If George W. Bush said he spoke to god through his hair dryer, they would think he was mad. I fail to see how the addition of a hair dryer makes it any more absurd.



Saturday, March 30, 2024

Currently Watching

BUTTER ON THE LATCH
Josephine Decker
USA, 2013

Currently Playing

CLUB MOD on allclassical.org

Hosted by Andrea Murray


Currently Playing

PATRICIA ROUTLEDGE
Nöel Coward's "I've Been to a Marvelous Party"

-

Then young Bobby Carr
Did a stunt at the bar
With a lot of extraordinary men


Currently Playing

Brenda Lee
SINCERELY, BRENDA LEE (1961)


Brenda Lee
BRENDA THAT'S ALL (1962)



JASON JARAMILLO

Well people make assumptions about us that aren’t true. Like we eat babies. I mean we do eat babies but most of us cannot eat a whole one every single time. Sometimes when I’m really hungry. The point is sometimes we just need to snack on some deep fried embryos.



Daily Painting

Raymond Pease
Cover Art for CITY HOTEL (1954)



Friday, March 29, 2024

Currently Watching

ONE CUT OF THE DEAD
[カメラを止めるな!]

Shin'ichirô Ueda
Japan, 2017

Currently Watching

QUEENS OF EVIL
[LE REGINE / IL DELITTO DEL DIAVOLO]

Tonino Cervi
Italy, 1970


Straight from the lips of the Second Christian Lord and Savior, Ronald Reagan.

Currently Playing

Brenda Lee
EMOTIONS (1961)


Brenda Lee
ALL THE WAY (1961)



BRIAN ALDISS
"Three Types of Solitude"

She was sceptical about the painting when it was finished.

"It's nice. But it's not quite like the real thing."

"But what would be the point of it being exactly like the real thing?"

The next day, he painted the same corner of the room as previously. Bea's response was as before. He was amused. He painted the corner of the room over and over. She was never entirely satisfied.

When he had produced his hundredth canvas, she kissed him tenderly, suggesting he gave up. 'You'll never be a success.”



Daily Painting

Reimond Kimpe
THE PORT (1941)

Thursday, March 28, 2024

Currently Watching

EXCALIBUR
John Boorman
UK, 1981

Currently Playing

Brenda Lee
GRANDMA, WHAT GREAT SONGS YOU SANG! (1959)


Brenda Lee
MISS DYNAMITE (1960)




BRIAN ALDISS
Cryptozoic!

When he woke, she was gone. He lay for a long while looking up at the tent roof, wondering how much he cared.

He needed company, although he was never wholly comfortable with it; he needed a woman, although he was never wholly happy with one. He wanted to talk, although he knew most talk was an admission of non-communication.

How far was a feeling genuine if it did not find expression in an external act?



Daily Painting

John Currie
THE SUPPER (1914)

Wednesday, March 27, 2024

Currently Watching

THE MAN WHO FELL TO EARTH
Alex Kurtzman & Jenny Lumet
USA/UK, 2022

Directors
Alex Kurtzman
Joss Agnew
Sarah Harding
Olatunde Osunsanmi

Currently Playing

Robert Fuchs
SERENADES

- Serenade No. 1 in D Major, Op. 9
- Serenade No. 2 in C Major, Op. 14
- Andante grazioso and Capriccio, Op. 63

Christian Ludwig
Cologne Chamber Orchestra


BRIAN ALDISS
Helliconia Winter

On Mars, Venus, Mercury, and the moons of Jupiter, human beings were more free—free to found their own petty nations and ruin their own lives their own way. But.

Daily Painting

Arturo Rivera
EL CIRUJANO Y EL PINTOR (1992)

Tuesday, March 26, 2024

Currently Playing

Frankie Goes to Hollywood
WELCOME TO THE PLEASUREDOME


BRIAN ALDISS
Greybeard

Perhaps that had been one of the ineradicable faults of mankind - for even a convinced atheist had to admit there were faults - that it was never content with a thing as a thing; it had to turn things into symbols of other things. A rainbow was never only a rainbow; a storm was a sign of celestial anger; and even from the puddingy earth came forth dark chthonian gods.

What did it all mean? What an agnostic believed and what the willowy parson believed were not only irreconcilable systems of thought: they were equally valid systems of thought because, somewhere along the evolutionary line, man, developing this habit of thinking of symbols, had provided himself with more alternatives than he could manage. Animals moved in no such channel of imagination - they copulated and they ate; but the the saint, bread was a symbol of life, as the phallus was to the pagan. The animals themselves were pressed into symbolic service - and not only in the medieval bestiaries, by any means.

Such a usage was a distortion, although man seemed unable to ratiocinate without it. That had been the trouble right from the beginning. Perhaps it had even been the beginning, back among the first men that man could never get clearly defined (for the early men, being also symbols, had to be either lumbering brutes, or timid noble savages, or to undergo some other interpretation). Perhaps the first fire, the first tool, the first wheel, the first carving in a limestone cave, had each possessed a symbolic rather than a practical value, had each been pressed to serve distortion rather than reality.

It was a sort of madness that had driven man from his humble sites on the edges of woods into towns and cities, into arts and wars, into religious crusades, into martyrdom and prostitution, into dyspepsia and fasting, into love and hatred, into this present cul-de-sac; it had all come about in pursuit of symbols. In the beginning was the symbol, and darkness was over the face of the Earth.



Daily Painting

Charles Ephraim Burchfield
SUNRISE IN THE FOREST (1917)

Monday, March 25, 2024

Still Reading

Isabella Tree and Charlie Burrell
THE BOOK OF WILDING
A Practical Guide to Rewilding Big and Sm
all

Currently Playing

The Turtles
TWENTY GREATEST HITS


NATHANIEL HAWTHORNE
The Scarlet Letter

The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognized it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison.



Daily Painting

Lizzy Ansingh
STANDING DOLL WITH GILT BOUDDHA BEFORE A SUN-SHAPED CLOCK (1905)

Sunday, March 24, 2024

Currently Watching

GREAT FREEDOM
[Große Freiheit]

Sebastian Meise
Germany, 2021

Currently Watching

THE MIRE - SEASON 3 "MILLENIUM"
[ROJST]

Jan Holoubek
Poland, 2024


BRIAN ALDISS
The Dark Light Years

Civilisation is the distance that man has placed between himself and his own excreta.



Currently Playing

Kraftwerk
THE MAN MACHINE / DIE MENSCH-MASCHINE




Kraftwerk
COMPUTER WORLD / COMPUTERWEIT

Daily Painting

Srijon Chowdhury
ROSELIGHT (2019)

Saturday, March 23, 2024

Currently Playing

CLUB MOD on allclassical.org

Hosted by Andrea Murray

Currently Playing

Kraftwerk
RADIO-ACTIVITY / RADIO-AKTIVITÄT


Kraftwerk
TRANS EUROPA EXPRESS



BRIAN ALDISS

The fatal error of much science fiction has been to subscribe to an optimism based on the idea that revolution, or a new gimmick, or a bunch of strong men, or an invasion of aliens, or the conquest of other planets, or the annihilation of half the world - in short, pretty nearly anything but the facing up to the integral and irredeemable nature of mankind - can bring about utopian situations. It is the old error of the externalization of evil.




TOMAS TRANSTRÖMER
"National Insecurity"

The Under Secretary leans forward and draws an X
and her ear-drops dangle like swords of Damocles.

As a mottled butterfly is invisible against the ground
so the demon merges with the opened newspaper.

A helmet worn by no one has taken power.
The mother-turtle flees flying under the water.


Translated by Robin Fulton

Daily Painting

Banksy
WELL HUNG LOVER (2006)

Friday, March 22, 2024

Currently Playing

Megan Thee Stallion
TRAUMAZINE

Daily Painting

Cy Twombly
WILDER SHORES OF LOVE (1985)

Thursday, March 21, 2024

Currently Playing

George Frideric Händel
JEPHTHA, HWV 072 (1762)

Harry Christophers

James Gilchrist, Susan Bickley, Sophie Bevan, Robin Blaze, Matthew Brook, Grace Davidson

The Sixteen


BRUCE SPRINGSTEEN
"I'm On Fire"

Hey, little girl, is your daddy home?
Did he go away and leave you all alone?
I got a bad desire
Oh, oh, oh, I'm on fire

Tell me now, baby, is he good to you?
And can he do to you the things that I do?
Oh no, I can take you higher
Oh, oh, oh, I'm on fire

Sometimes it's like someone took a knife, baby, edgy and dull
And cut a six-inch valley through the middle of my skull

At night, I wake up with the sheets soakin' wet
And a freight train runnin' through the middle of my head
Only you can cool my desire
Oh, oh, oh, I'm on fire



Daily Painting

Carl Gustav Carus
FAUST IN HIS STUDY (1851)

Wednesday, March 20, 2024

Currently Watching

DREAM SCENARIO
Kristoffer Borgli
USA, 2023

Currently Playing

Willie Nelson
THAT'S LIFE


CHARLOTTE WHITTON
Canada Month, June 1963

Whatever women do they must do twice as well as men to be thought half as good. Luckily, this is not difficult.



Daily Painting

René Reinicke
HIM AND HER (1910)

Tuesday, March 19, 2024

Currently Reading

Isabella Tree and Charlie Burrell
THE BOOK OF WILDING
A Practical Guide to Rewilding Big and Small

Currently Playing

Thompson Twins
A PRODUCT OF ...


FREDERICK DOUGLASS
"Composite Nation" - Lecture in the Parker Fraternity Course, Boston, MA (1867)

There are such things in the world as human rights. They rest upon no conventional foundation, but are external, universal, and indestructible. Among these, is the right of locomotion; the right of migration; the right which belongs to no particular race, but belongs alike to all and to all alike. It is the right you assert by staying here, and your fathers asserted by coming here. It is this great right that I assert for the Chinese and Japanese, and for all other varieties of men equally with yourselves, now and forever. I know of no rights of race superior to the rights of humanity, and when there is a supposed conflict between human and national rights, it is safe to go to the side of humanity….

I need not stop here to name or describe the missions of other and more ancient nationalities. Ours seems plain and unmistakable. Our geographical position, our relation to the outside world, our fundamental principles of Government, world embracing in their scope and character, our vast resources, requiring all manner of labor to develop them, and our already existing composite population, all conspire to one grand end, and that is to make us the most perfect national illustration of the unity and dignity of the human family that the world has ever seen.

Daily Painting

Arthur Wesley Dow
SPRING LANDSCAPE (1892)