ELIAS CANETTI
Crowds and Power

First there is the lying in wait for prey; the prey is marked down long before it is aware of our designs on it. With feelings of pleasure and approval it is contemplated, observed and kept watch over; it is seen as meat whilst it is still alive, and so intensely and irrevocably seen as meat that nothing can deflect the watcher's determination to get hold of it. Already while he is prowling round it he feels that it belongs to him. From the moment he selects it as his prey, he thinks of it as incorporated into himself.

ELIAS CANETTI
Crowds and Power

The deception is complete. It is the deception of all leaders. They pretend that they will be the first to die, but, in reality, they send their people to death, so that they themselves may stay alive longer. The trick is always the same. The leader wants to survive, for with each survival he grows stronger. If he has enemies, so much the better; he survives them. If not, he has his own people. In any event he uses both, whether successively or together. Enemies he can use openly; that is why he has enemies. His own people must be used secretly.

ELIAS CANETTI
Crowds and Power

A human being who falls down reminds us of an animal we might have hunted and brought down ourselves. Every sudden fall which arouses laughter does so because it suggests helplessness and reminds us that the fallen can, if we want, be treated as prey. If we went further and actually ate it, we would not laugh. We laugh instead of eating it. Laughter is our physical reaction to the escape of potential food.

ELIAS CANETTI
Crowds and Power

The crowd is the same everywhere, in all periods and cultures; it remains essentially the same among men of the most diverse origin, education and language. Once in being, it spreads with the utmost violence. Few can resist its contagion; it always wants to go on growing and there are no inherent limits to its growth. It can arise wherever people are together, and its spontaneity and suddenness are uncanny.

ELIAS CANETTI
Crowds and Power

It is always the enemy who started it, even if he was not the first to speak out, he was certainly planning it; and if he was not actually planning it, he was thinking of it; and, if he was not thinking of it, he would have thought of it.

ELIAS CANETTI
Crowds and Power

It is only in a crowd that man can become free of this fear of being touched. That is the only situation in which the fear changes into its opposite. The crowd he needs is the dense crowd, in which body is pressed to body; a crowd, too, whose psychical constitution is also dense, or compact, so that he no longer notices who it is that presses against him.

As soon as a man has surrendered himself to the crowd, he ceases to fear its touch. Ideally, all are equal there; no distinctions count. Not even that of sex. The man pressed against him is the same as himself He feels him as he feels himself. Suddenly it is as though everything were happening in one and the same body.

ELIAS CANETTI
Crowds and Power

A murder shared with many others, which is not only safe and permitted, but indeed recommended, is irresistible to the great majority of men.

ELiAS CANETTI

I cannot become modest; too many things burn in me; the old solutions are falling apart; nothing has been done yet with the new ones. So I begin, everywhere at once, as if I had a century ahead of me.

ELIAS CANETTI
The Human Province

There are books, that one has for twenty years without reading them, that one always keeps at hand, that one takes along from city to city, from country to country, carefully packed, even when there is very little room, and perhaps one leafs through them while removing them from a trunk; yet one carefully refrains from reading even a complete sentence.

Then after twenty years, there comes a moment when suddenly, as though under a high compulsion, one cannot help taking in such a book from beginning to end, at one sitting: it is like a revelation. Now one knows why one made such a fuss about it. It had to be with one for a long time; it had to travel; it had to occupy space; it had to be a burden; and now it has reached the goal of its voyage, now it reveals itself, now it illuminates the twenty bygone years it mutely lived with one. It could not say so much if it had not been there mutely the whole time, and what idiot would dare to assert that the same things had always been in it.

ELIAS CANETTI

Only within his scattered and contradictory sentences is it possible for a person to keep himself together, to entirely become something without losing the most important thing, to replicate himself, to breathe, to experience his own gestures, to form his own accent, to practice wearing different masks, to fear his own truths, to puff up his lies into truths, to piss off death, and once rejuvenated, to disappear.

ELIAS CANETTI

Kafka's Other Trial: The Letters to Felice

____________________

A large part of Kafka's work consists of tentative steps toward perpetually changing possibilities of future. He cannot acknowledge a single future, there are many; this multiplicity of futures paralyzes him and burdens his every step.

ELIAS CANETTI

The Agony of Flies

____________________

People should not make a virtue out of their sensitivity. They may experience it and preserve it as it was experienced. But they should not adorn themselves with it. Sensitivity will make an addict out of anyone who displays its medals on his chest. He will require more and more objects to enable him to demonstrate his sensitivity, and if he runs out of them, he will simply make things up - and his sensitivity will then reveal itself for what it is: precious, brittle, and rotted through and through.

ELIAS CANETTI

Crowds and Power

____________________

There is nothing that man fears more than the touch of the unknown. He wants to see what is reaching towards him, and to be able to recognize or at least classify it. Man always tends to avoid physical contact with anything strange. In the dark, the fear of an unexpected touch can mount to panic. Even clothes give insufficient security: it is easy to tear them and pierce through to the naked, smooth, defenceless flesh of the victim.

ELIAS CANETTI

Crowds and Power

____________________

First there is the lying in wait for prey; the prey is marked down long before it is aware of our designs on it. With feelings of pleasure and approval it is contemplated, observed and kept watch over; it is seen as meat whilst it is still alive, and so intensely and irrevocably seen as meat that nothing can deflect the watcher's determination to get hold of it. Already while he is prowling round it he feels that it belongs to him. From the moment he selects it as his prey, he thinks of it as incorporated into himself.

ELIAS CANETTI

The Agony of Flies

____________________

To read while the clock is audibly ticking:
Responsible reading.

To read while all the clocks have stopped:
Happy reading.

ELIAS CANETTI

Crowds and Power

____________________

The crowd is the same everywhere, in all periods and cultures; it remains essentially the same among men of the most diverse origin, education and language. Once in being, it spreads with the utmost violence. Few can resist its contagion; it always wants to go on growing and there are no inherent limits to its growth. It can arise wherever people are together, and its spontaneity and suddenness are uncanny.

ELIAS CANETTI

The Tongue Set Free

_____________________

What a man touches upon, he should take with him. If he forgot it, he should be reminded. What gives a man worth is that he incorporates everything he has experienced. This includes the countries where he has lived, the people whose voices he has heard. It also takes in his origins, if he can find out something about them... not only one’s private experience but everything concerning the time and place of one’s beginnings. 

The words of a language one may have spoken and heard only as a child imply the literature in which it flowered. The story of a banishment must include everything that happened before it as well as the rights subsequently claimed by the victims. Others had fallen before and in different ways; they too are part of the story. It is hard to evaluate the justice of such a claim to history... We should know not only what happened to our fellow men in the past but also what they were capable of. 

We should know what we ourselves are capable of. For that, much knowledge is needed; from whatever direction, at whatever distance knowledge offers itself, one should reach out for it, keep it fresh, water it and fertilize it with new knowledge.

ELIAS CANETTI

Crowds and Power

____________________

A murder shared with many others, which is not only safe and permitted, but indeed recommended, is irresistible to the great majority of men.

ELIAS CANETTI

The Human Province

____________________

Nothing among all human emotions is more beautiful and more hopeless than the wish to be loved for oneself alone. Who are you anyway, next to countless others, to deserve such preference? We do not want to be interchangeable; let no one be able to pinch-it for us. A figurative, unmistakable claiming to be spatial and spiritual. 

As though the earth had only one heaven, and heaven only one earth, we lay claim to the validity of both and, if we have one, we want to be the other. In reality, however, we are filled with planets, and countless heavens open their doors to us.

ELIAS CANETTI

The Human Province

____________________

I want to keep smashing myself until I am whole.