Showing posts with label Fucked-up February. Show all posts
Showing posts with label Fucked-up February. Show all posts

Monday, February 28, 2022

Sunday, February 27, 2022

THE DEATH WHEELERS
____________________

Don Sharp
UK, 1973

ANTHROPOPHAGUS
(aka THE GRIM REAPER)
____________________

Joe D'Amato
Italy, 1980

 

Saturday, February 26, 2022

THE COOK, THE THIEF, HIS WIFE, AND HER LOVER
____________________

Peter Greenaway
UK/The Netherlands, 1989


 

A ZED AND TWO NOUGHTS
____________________

Peter Greenaway
UK/The Netherlands, 1985


Friday, February 25, 2022

I STAND ALONE
[SEUL CONTRE TOUS]
____________________

Gaspar Noé
France, 1998
 

ARREBATO
[RAPTURE]
____________________

Iván Zulueta
Spain, 1979
 

Thursday, February 24, 2022

IN A GLASS CAGE
[TRAS EL CRISTAL]
____________________

Agustí Villaronga
Spain, 1986

 

HENRY
PORTRAIT OF A SERIAL KILLER
____________________

John McNaughton
USA, 1986

 

Wednesday, February 23, 2022

MICHAEL
____________________

Markus Schleinzer
Austria, 2011
 

MORNING PATROL
____________________

Nikos Nikolaidis
Greece, 1987
 

Tuesday, February 22, 2022

CLIMAX
____________________

Gaspar Noé
France, 2018

 

HOLY MOTORS
____________________

Leos Carax
France, 2012
 

Monday, February 21, 2022

CREEP 2
____________________

Patrick Brice
USA, 2017

-

The rare horror sequel that equals its predecessor even with the full knowledge of what's happening from the get-go. And again, Mark Duplass is absolute perfection.
 

CREEP
____________________

Patrick Brice
USA, 2014

-

A personal favorite. Mark Duplass is fucking awesome and terrifying.
 

Sunday, February 20, 2022

DOS
[TWO]
____________________

Mar Targarona
Spain, 2021

ANGST
____________________

Gerald Kargl
Austria, 1983

Saturday, February 19, 2022

ENTER THE VOID
____________________

Gaspar Noé
France, 2009

 

BEGOTTEN
____________________

E. Elias Merhige
USA, 1989

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From IMDb:

God disembowels himself. Mother Earth emerges, venturing into a bleak, barren landscape. The Son Of Earth, twitching and cowering, is set upon by faceless cannibals. Presented in a surreal, gory, and entirely visual manner, BEGOTTEN tells of the death of religion, the abuse of nature by Man, and a nihilistic outlook on what life ultimately is.