Showing posts with label Denise Levertov. Show all posts
Showing posts with label Denise Levertov. Show all posts

Thursday, September 4, 2025


DENISE LEVERTOV
"Witness"

Sometimes the mountain
is hidden from me in veils
of cloud, sometimes
I am hidden from the mountain
in veils of inattention, apathy, fatigue,
when I forget or refuse to go
down to the shore or a few yards
up the road, on a clear day,
to reconfirm
that witnessing presence.



Wednesday, May 14, 2025


DENISE LEVERTOV
"Aware"

When I found the door
I found the vine leaves
speaking among themselves in abundant
whispers.
My presence made them
hush their green breath,
embarrassed, the way
humans stand up, buttoning their jackets,
acting as if they were leaving anyway, as if
the conversation had ended
just before you arrived.
I liked
the glimpse I had, though,
of their obscure
gestures. I liked the sound
of such private voices. Next time
I'll move like cautious sunlight, open
the door by fractions, eavesdrop
peacefully.



Sunday, August 4, 2024


DENISE LEVERTOV
“People At Night”

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.          We won’t
                  look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
                  under movie signs,
                  pictures made of a million lights,
                  giants that move and again move
                  again, above a cloud of thick smells,
                  franks, roasted nutmeats- Or going up to some apartment, yours
                  or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
        But you won’t see. The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
                  You   and   you and I   repeat
                  gestures that make do when speech
                  has failed          and talk
                  and talk, laughing, saying
                  ‘I’, and ‘I’,
meaning ‘Anybody’.
                            No one.



Sunday, July 18, 2021

DENISE LEVERTOV
"Talking to Grief"
____________________

Ah, Grief, I should not treat you
like a homeless dog
who comes to the back door
for a crust, for a meatless bone.
I should trust you.

I should coax you
into the house and give you
your own corner,
a worn mat to lie on,
your own water dish.

You think I don't know you've been living
under my porch.
You long for your real place to be readied
before winter comes. You need
your name,
your collar and tag. You need
the right to warn off intruders,
to consider
my house your own
and me your person
and yourself
my own dog.

Thursday, May 27, 2021

DENISE LEVERTOV
“The Dog of Art”
___________________

That dog with daisies for eyes
who flashes forth
flame of his very self at every bark
is the Dog of Art.
Worked in wool, his blind eyes
look inward to caverns and jewels
which they see perfectly,
and his voice
measures forth the treasure
in music sharp and loud,
sharp and bright,
bright flaming barks,
and growling smoky soft, the Dog
of Art turns to the world
the quietness of his eyes.

Sunday, June 14, 2020

DENISE LEVERTOV
“A Tree Telling Of Orpheus”
____________________

White dawn. Stillness.      When the rippling began
  I took it for a sea-wind, coming to our valley with rumors
  of salt, of treeless horizons. but the white fog
didn’t stir; the leaved of my brothers remained outstretched,
unmoving.          Yet the rippling drew nearer — and then
my own outermost branches began to tingle, almost as if
fire had been lit below them, too close, and their twig-tips
were drying and curling.
                Yet I was not afraid, only
                deeply alert.I was the first to see him, for I grew
  out on the pasture slope, beyond the forest.
He was a man, it seemed: the two
moving stems, the short trunk, the two
arm-branches, flexible, each with five leafless
                            twigs at their ends,
and the head that’s crowned by brown or gold grass,
bearing a face not like the beaked face of a bird,
more like a flower’s.
                  He carried a burden made of
some cut branch bent while it was green,
strands of a vine tight-stretched across it. From this,
when he touched it, and from his voice
which unlike the wind’s voice had no need of our
leaves and branches to complete its sound,
                      came the ripple.
But it was now no longer a ripple (he had come near and
stopped in my first shadow) it was a wave that bathed me
  as if rain
        rose from below and around me
  instead of falling.
And what I felt was no longer a dry tingling:
  I seemed to be singing as he sang, I seemed to know
  what the lark knows; all my sap
        was mounting towards the sun that by now
            had risen, the mist was rising, the grass
was drying, yet my roots felt music moisten them
deep under earth.        He came still closer, leaned on my trunk:
        the bark thrilled like a leaf still-folded.
Music! there was no twig of me not
                      trembling with joy and fear.Then as he sang
it was no longer sounds only that made the music:
he spoke, and as no tree listens I listened, and language
                  came into my roots
                      out of the earth,
                  into my bark
                      out of the air,
                  into the pores of my greenest shoots
                      gently as dew
and there was no word he sang but I knew its meaning.
He told of journeys,
        of where sun and moon go while we stand in dark,
  of an earth-journey he dreamed he would take some day
deeper than roots…
He told of the dreams of man, wars, passions, griefs,
            and I, a tree, understood words — ah, it seemed
my thick bark would split like a sapling’s that
                      grew too fast in the spring
when a late frost wounds it.                              Fire he sang,
that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
  As though his lyre (now I knew its name)
  were both frost and fire, its chord flamed
up to the crown of me.              I was seed again.
                  I was fern in the swamp.
                      I was coal.And at the heart of my wood
(so close I was to becoming man or god)
  there was a kind of silence, a kind of sickness,
        something akin to what men call boredom,
                                something
(the poem descended a scale, a stream over stones)
        that gives to a candle a coldness
            in the midst of its burning, he said.It was then,
        when in the blaze of his power that
                  reached me and changed me
        I thought I should fall my length,
that the singer began
            to leave me.      Slowly
        moved from my noon shadow
                                to open light,
words leaping and dancing over his shoulders
back to me
        rivery sweep of lyre-tones becoming
slowly again
        ripple.And I              in terror
                  but not in doubt of
                                what I must do
in anguish, in haste,
            wrenched from the earth root after root,
the soil heaving and cracking, the moss tearing asunder —
and behind me the others: my brothers
forgotten since dawn. In the forest
they too had heard,
and were pulling their roots in pain
out of a thousand year’s layers of dead leaves,
  rolling the rocks away,
                  breaking themselves
                                    out of
                                their depths.      You would have thought we would lose the sound of the lyre,
                  of the singing
so dreadful the storm-sounds were, where there was no storm,
            no wind but the rush of our
        branches moving, our trunks breasting the air.
                  But the music!
                              The music reached us.
Clumsily,
  stumbling over our own roots,
                          rustling our leaves
                                      in answer,
we moved, we followed.All day we followed, up hill and down.
                            We learned to dance,
for he would stop, where the ground was flat,
                                and words he said
taught us to leap and to wind in and out
around one another    in figures    the lyre’s measure designed.The singer
        laughed till he wept to see us, he was so glad.
                                      At sunset
we came to this place I stand in, this knoll
with its ancient grove that was bare grass then.
        In the last light of that day his song became
farewell.
        He stilled our longing.
        He sang our sun-dried roots back into earth,
watered them: all-night rain of music so quiet
                                      we could almost
                            not hear it in the
                                moonless dark.
By dawn he was gone.
                  We have stood here since,
in our new life.
            We have waited.
                      He does not return.
It is said he made his earth-journey, and lost
what he sought.
            It is said they felled him
and cut up his limbs for firewood.
                                And it is said
his head still sang and was swept out to sea singing.
Perhaps he will not return.
                      But what we have lived
comes back to us.
            We see more.
                      We feel, as our rings increase,
something that lifts our branches, that stretches our furthest
                                      leaf-tips
further.
  The wind, the birds,
                      do not sound poorer but clearer,
recalling our agony, and the way we danced.
The music!

Monday, May 11, 2020

DENISE LEVERTOV
"Sound of the Axe"

Once a woman went into the woods.
The birds were silent. Why? she said.
Thunder, they told her,
thunder is coming.
She walked on, and the trees were dark
and rustled their leaves. Why? she said.
The great storm, they told her,
the great storm is coming.
She came to the river, it rushed by
without reply, she crossed the bridge,
she began to climb
up to the ridge where grey rocks
bleached themselves, waiting
for crack of doom,
and the hermit
had his hut, the wise man
who had lived since time began.
When she came to the hut
there was no one.
But she heard his axe.
She heard
the listening forest.
She dared not follow the sound
of the axe. Was it
the world-tree he was felling?
Was this the day?



The Paris Review - Issue 79 (Spring 1981)

Sunday, July 14, 2019

DENISE LEVERTOV - “People At Night”

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.          We won’t
                  look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
                  under movie signs,
                  pictures made of a million lights,
                  giants that move and again move
                  again, above a cloud of thick smells,
                  franks, roasted nutmeats- Or going up to some apartment, yours
                  or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
        But you won’t see. The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
                  You   and   you and I   repeat
                  gestures that make do when speech
                  has failed          and talk
                  and talk, laughing, saying
                  ‘I’, and ‘I’,
meaning ‘Anybody’.
                            No one.

Monday, April 29, 2019

DENISE LEVERTOV - "Aware"

When I found the door
I found the vine leaves
speaking among themselves in abundant
whispers.
My presence made them
hush their green breath,
embarrassed, the way
humans stand up, buttoning their jackets,
acting as if they were leaving anyway, as if
the conversation had ended
just before you arrived.
I liked
the glimpse I had, though,
of their obscure
gestures. I liked the sound
of such private voices. Next time
I'll move like cautious sunlight, open
the door by fractions, eavesdrop
peacefully.

Saturday, January 12, 2019

Denise Levertov - “The Dog of Art”

That dog with daisies for eyes
who flashes forth
flame of his very self at every bark
is the Dog of Art.
Worked in wool, his blind eyes
look inward to caverns and jewels
which they see perfectly,
and his voice
measures forth the treasure
in music sharp and loud,
sharp and bright,
bright flaming barks,
and growling smoky soft, the Dog
of Art turns to the world
the quietness of his eyes. 

Tuesday, November 14, 2017

DENISE LEVERTOV
"Wedding Ring"

My wedding-ring lies in a basket
as if at the bottom of a well.
Nothing will come to fish it back up
and onto my finger again.
                                      It lies
among keys to abandoned houses,
nails waiting to be needed and hammered
into some wall,
telephone numbers with no names attached,
idle paperclips.
                      It can’t be given away
for fear of bringing ill-luck
                      It can’t be sold
for the marriage was good in its own
time, though that time is gone.
                      Could some artificer
beat into it bright stones, transform it
into a dazzling circlet no one could take
for solemn betrothal or to make promises
living will not let them keep? Change it
into a simple gift I could give in friendship?

Wednesday, July 5, 2017

DENISE LEVERTOV - “People At Night”

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.          We won’t
                  look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
                  under movie signs,
                  pictures made of a million lights,
                  giants that move and again move
                  again, above a cloud of thick smells,
                  franks, roasted nutmeats- Or going up to some apartment, yours
                  or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
        But you won’t see. The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
                  You   and   you and I   repeat
                  gestures that make do when speech
                  has failed          and talk
                  and talk, laughing, saying
                  ‘I’, and ‘I’,
meaning ‘Anybody’.
                            No one.