Currently Playing

THE BLUE HOUR

Composers
Rachel Grimes, Angélica Negrón, Shara Nova, Caroline Shaw, Sarah Kirkland Snider

Text
Carolyn Forché

Performers
A Far Cry
Shara Nova

CAROLYN FORCHÉ
“Elegy”

The page opens to snow on a field: boot-holed month, black hour
the bottle in your coat half voda half winter light.
To what and to whom does one say yes?
If God were the uncertain, would you cling to him?

Beneath a tattoo of stars the gate open, so silent so like a tomb.
This is the city you most loved, an empty stairwell
where the next rain lifts invisibly from the Seine.

With solitude, your coat open, you walk
steadily as if the railings were there and your hands weren’t passing
through them.

“When things were ready, they poured on fuel and touched off the fire.
They waited for a high wind. It was very fine, that powdered bone.
It was put into sacks, and when there was enough we went to a bridge
on the Narew River.”

And even less explicit phrases survived:
“To make charcoal.
For laundry irons.”
And so we revolt against silence with a bit of speaking.
The page is a charred field where the dead would have written
We went on. And it was like living through something again one
could not live through again.

The soul behind you no longer inhabits your life: the unlit house
with its breathless windows and a chimney of ruined wings
where wind becomes an aria, your name, voices from a field,
And you, smoke, dissonance, a psalm, a stairwell.

CAROLYN FORCHÉ - “Elegy”

The page opens to snow on a field: boot-holed month, black hour
the bottle in your coat half voda half winter light.
To what and to whom does one say yes?
If God were the uncertain, would you cling to him?
Beneath a tattoo of stars the gate open, so silent so like a tomb.
This is the city you most loved, an empty stairwell
where the next rain lifts invisibly from the Seine.
With solitude, your coat open, you walk
steadily as if the railings were there and your hands weren’t passing
through them.
“When things were ready, they poured on fuel and touched off the fire.
They waited for a high wind. It was very fine, that powdered bone.
It was put into sacks, and when there was enough we went to a bridge
on the Narew River.”
And even less explicit phrases survived:
“To make charcoal.
For laundry irons.”
And so we revolt against silence with a bit of speaking.
The page is a charred field where the dead would have written
We went on. And it was like living through something again one
could not live through again.
The soul behind you no longer inhabits your life: the unlit house
with its breathless windows and a chimney of ruined wings
where wind becomes an aria, your name, voices from a field,
And you, smoke, dissonance, a psalm, a stairwell.

CAROLYN FORCHÉ - "The Museum of Stones

These are your stones, assembled in matchbox and tin,
collected from roadside, culvert, and viaduct,
battlefield, threshing floor, basilica, abattoir–
stones, loosened by tanks in the streets
from a city whose earliest map was drawn in ink on linen,
schoolyard stones in the hand of a corpse,
pebble from Apollinaire’s oui,
stone of the mind within us
carried from one silence to another,
stone of cromlech and cairn, schist and shale, horneblende,
agate, marble, millstones, ruins of choirs and shipyards,
chalk, marl, mudstone from temples and tombs,
stone from the tunnel lined with bones,
lava of a city’s entombment, stones
chipped from lighthouse, cell wall, scriptorium,
paving stones from the hands of those who rose against the army,
stones where the bells had fallen, where the bridges were blown,
those that had flown through windows, weighted petitions,
feldspar, rose quartz, blueschist, gneiss and chert,
fragments of an abbey at dusk, sandstone toe
of a Buddha mortared at Bamiyan,
stone from the hill of three crosses and a crypt,
from a chimney where storks cried like human children,
stones newly fallen from stars, a stillness of stones, a heart,
altar and boundary of stone, marker and vessel, first cast, lode and hail,
bridge stones and others to pave and shut up with,
stone apple, stone basil, beech, berry, stone brake,
stone bramble, stone fern, lichen, liverwort, pippin and root,
concretion of the body, as blind as cold as deaf,
all earth a quarry, all life a labor, stone-faced, stone-drunk
with hope that this assemblage of rubble, taken together, would become
a shrine or holy place, an ossuary, immoveable and sacred
like the stone that marked the path of the sun as it entered the human dawn.