Showing posts with label Béla Tarr. Show all posts
Showing posts with label Béla Tarr. Show all posts

Tuesday, February 27, 2024

Currently Watching

THE PREFAB PEOPLE
[PANELKAPCSOLAT]

Béla Tarr
Hungary, 1982



Monday, February 26, 2024

Currently Watching

THE OUTSIDER
[SZABADGYALOG]

Béla Tarr
Hungary, 1981




Sunday, February 18, 2024

Currently Watching

WERCKMEISTER HARMONIES
[WERCKMEISTER HARMÓNIÁK]
Béla Tarr
Hungary, 2000


Friday, February 16, 2024


BÉLA TARR
From a letter hung in front of the Hungarian Parliament

We have brought the planet to the brink of catastrophe with our greediness and our unlimited ignorance. With the horrible wars we waged with the goal of robbing the people there. Now we are confronted with the victims of our acts. We must ask the question: who are we, and what morality do we represent when we build a fence to keep out these people?



Thursday, February 15, 2024

Currently Watching

SÁTÁNTANGO [Part 2]
Béla Tarr
Hungary, 1994




Wednesday, February 14, 2024

Currently Watching

SÁTÁNTANGO [Part 1]
Béla Tarr
Hungary, 1994


Tuesday, February 13, 2024

Currently Watching

DAMNATION
[KÁRHOZAT]

Béla Tarr
Hungary, 1988


Sunday, December 10, 2023


COLM TÓIBÍN
Restlessness: A Syllabus

I am interested in texts that are pure voice or deal with difficult experience using a tone that does not offer relief or stop for comfort. Sometimes, the power in the text comes from powerlessness, whether personal or political. Sometimes, death is close or danger beckons or violence is threatened or enacted. Sometimes, there is a sense of real personal risk in the text’s revelations. Sometimes, there is little left to lose. All the time, the tone is incantatory or staccato or filled with melancholy recognitions.

  • Euripides, Medea
  • Sophocles, Electra
  • Sophocles, Antigone
  • Sylvia Plath, Ariel
  • Louise Glück, The Wild Iris
  • Anne Carson, Autobiography of Red
  • Juan Goytisolo, Forbidden Territory
  • Joan Didion, A Book of Common Prayer
  • Oscar Wilde, De Profundis
  • Nadine Gordimer, The Late Bourgeois World
  • Ingmar Bergman, Autumn Sonata
  • John McGahern, The Barracks
  • Béla Tarr and Ágnes Hranitzky, The Turin Horse
  • Doris Lessing, The Grass Is Singing
  • J. M. Coetzee, Age of Iron
  • Béla Bartók, Bluebeard’s Castle
  • Constance Debré, Love Me Tender